Top 40 Smash Taps: “Charity Ball”
These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Fanny was billed as the first all-female rock group to release an album on a major label. Naturally, given the stultifying sexism of the era, it’s entirely possible the band wouldn’t have reached that status without the behind-the-scenes influence of a male. Richard Perry was a producer with an eclectic batch of records on his resume, including Captain Beefheart’s Safe as Milk and God … Continue reading Top 40 Smash Taps: “Charity Ball”
Banks, Bergman, Hamilton, Limon, Polanski
1971 (Johanna Hamilton, 2014). Clearly positioned as a history lesson for those who venerate Edward Snowden for his digital freedom fighting in bringing to light information about the U.S. government’s shady spying on its own citizens, 1971 focuses in on a break-in at a Pennsylvania FBI office in the year of the title. Those who are shocked by the modern transgressions against privacy can watch this documentary for a bracing reminder that federal crime-fighting agencies are in full-scale same-as-it-ever-was territory, Patriot Act or not. Of course, that doesn’t make current abuses acceptable, but the indignation is best shaped as part of … Continue reading Banks, Bergman, Hamilton, Limon, Polanski
Great Moments in Literature
“‘I was hoping we’d go together.’ I winced at hearing myself reproduce the tones of some minor courtier, or possible those of Ralph Bellamy in a movie belonging to Cary Grant.” –Jonathan Lethem, Chronic City, 2009 “MIDNIGHT IN MANHATTAN: ALL THE LONELY PEOPLE LOOK UP FOR A MOMENT FROM THEIR AIMLESS, POINTLESS SCURRYINGS — LOOK UP, AND ARE WARMED BY THE ROCKET’S BATHING GLOW. THEN, THEY LOWER THEIR HEADS ONCE MORE, AND THEIR HALF-DREAMS DIE A-BORNING…” –Roy Thomas, FANTASTIC FOUR, Vol. 1, No. 159, “Havoc in the Hidden Land!” 1975 Continue reading Great Moments in Literature
College Countdown: 90FM’s Top 90 of 1995, 20 and 19
20. The Smashing Pumpkins, Mellon Collie and the Infinite Sadness For most of 1995, I heard at least a portion of Mellon Collie and the Infinite Sadness, even if it was only reverberating through my floorboards. Early in that calendar year, I took up residence in what became a beloved rental house located on a main drag of Madison, Wisconsin. Though it may have involved some creative disregarding of the terms of the lease to set our household lineup, we quickly had four people in total living there, one of them sadly crammed into a minuscule room that was also … Continue reading College Countdown: 90FM’s Top 90 of 1995, 20 and 19
From the Archive: After Dark, My Sweet
This is a review from early in the run of The Reel Thing, the 90FM movie review show that was conceived twenty-five years ago this summer. (Twenty-five years! Oy!) Plying our critical trade in dinky Stevens Point, Wisconsin made it difficult to fill a weekly, hour-long show with only releases that made it to one of our nine screens. So there were periodic jaunts to the metropolis of Madison to watch and then review films that were probably never going to land in our little burg. This episode this review was drawn from was heavy with those out-of-town titles. Besides … Continue reading From the Archive: After Dark, My Sweet
One for Friday: Jet Black Berries, “Charles Darwin’s Dream”
Animal Necessity, the third album by the Rochester, New York band Jet Black Berries, is one of those releases I sought for ages. Even once the internet dramatically shifted the availability of obscure music, it was devilishly hard to come by. I wanted to hear it again because this was one of those touchstone LPs from my first semester at the college radio station, way back in the fall of 1988. As I remember it, the album sat in rotation amidst, only mildly loved by the general station populace. For whatever reason, it spoke to me more, and I returned to … Continue reading One for Friday: Jet Black Berries, “Charles Darwin’s Dream”
Don’t tread on an ant, he’s done nothing to you, there might come a day when he’s treading on you
By now, I think I’m largely over the shock over exactly which characters from their vast library of costumed, super-powered heroes and villains Marvel manages to turn into legitimate big screen figures. Deprived of cornerstone heroes Spider-Man, the Fantastic Four, and the X-Men, all licensed out before the long-time comic book publisher decided they could do movies on their own, Marvel boldly committed themselves to the next tier down, convinced that the multiplex wasn’t all the different from the spinner rack of old. The individual heroes weren’t as important as the perceived stamp of quality that came from having the word … Continue reading Don’t tread on an ant, he’s done nothing to you, there might come a day when he’s treading on you
Top Fifty Films of the 40s — Number Twenty-Five
#25 — Adam’s Rib (George Cukor, 1949) When considering classic Hollywood cinema, there exists a commonly held, wholly understandable desire to project more modern social belief systems onto certain films, celebrating them for an ahead-of-their-time embrace of, say, greater tolerance or general mindfulness. Fairly often, I suspect this is wishful thinking, an attempt to partially wipe away the decades of lamentable portrayals of, well, really anyone who wasn’t a white male. I love Duck Soup like few other films, but I get woozy with dismay every time I hear Groucho Marx deliver the joke in which “darkies” is a central part of … Continue reading Top Fifty Films of the 40s — Number Twenty-Five
Top 40 Smash Taps: “Where You Lead” and “The Way He Makes Me Feel”
These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. By my count, Barbra Streisand has amassed twenty-one Top 40 singles during the course of her career. To my surprise, her sustained success on that particular Billboard chart didn’t really begin until the nineteen-seventies. From her double-barreled debut in 1963 (The Barbra Streisand Album was followed by The Second Barbra Streisand Album within months), she always sold albums at a steady clip, making … Continue reading Top 40 Smash Taps: “Where You Lead” and “The Way He Makes Me Feel”
Don’t say I never warned you when your train gets lost
No matter how much evidence there is to the contrary, the temptation is mighty to always ascribe cinematic authorship primarily (even solely) to the director. There’s good cause for that. Studying the filmographies of everyone from genuine artists like Steven Spielberg and Martin Scorsese to abominable hacks like Brett Ratner and Michael Bay suggest just how much a director owns the final vision on the screen. On occasion, though, the genealogy of a film can be a little trickier than that. Trainwreck is unmistakably a Judd Apatow movie, maintaing the flavor and messiness of the director’s four prior features. But it … Continue reading Don’t say I never warned you when your train gets lost
Coffee for Two 