From the Archive: Night and the City

This is one of those films from the old reviewing days that I remember only vaguely. Clearly I liked it fairly well. In fact, this review kind of makes me want to watch it again. I guess that means, for all the writing weaknesses I see throughout — led by opening and closing sentences that both make me wince a little — the review does its job. When he’s really cooking, Robert De Niro is an actor that can instantly electrify the screen. The latest film to boast the talents of De Niro is “Night and the City,” and, as … Continue reading From the Archive: Night and the City

One for Friday: XTC, “Your Dictionary”

By the late-nineteen-nineties, my connection to new music was in dire shape. It had only been five years since I’d last had the opportunity to log some regular hours on a college radio station, but my instincts for sniffing out the top newcomers had atrophied thanks to some time toiling for a commercial alternative station, where only bands that had a sound within echoing distance of Pearl Jam need apply. I did what I could with the resources at hand — including the increasingly fruitful but not yet fully helpful land of web-based music coverage — but I was finding … Continue reading One for Friday: XTC, “Your Dictionary”

Top 40 Smash Taps: “Friends” and “Married Men”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. I’ll bet it just eats Bette Midler up that she can’t claim membership in the exclusive EGOT club, those individuals who’ve won at least one of each of the major entertainment awards: Emmy, Grammy, Oscar, and Tony. In the unlikely event she finds herself the recipient of an Academy Award in the near future — though she’s claimed two nominations in her career, … Continue reading Top 40 Smash Taps: “Friends” and “Married Men”

From the Archives: Misery

Since writing this, nearly twenty-four years ago (good gravy, I think I need to sit down), I’ve decided that Stand By Me is probably more like Rob Reiner’s third best movie. There are a couple of his films that are clearly better, but they don’t have the same tinge of somber importance to them, so I downgraded them at the time. However, I stick with Stand By Me as the best film adaptation of a King work, by a wide margin. Sorry, Shawshank disciples. It’s interesting to think back on this film as the effective introduction of Kathy Bates and … Continue reading From the Archives: Misery

One for Friday: Sicilian Vespers, “I Want to Talk to a Squirrel”

Everyone deserves to have an album like Sicilian Vespers’ self-titled debut in Heavy Rotation when they first join a college radio station. It should be wild and challenging. It should be tuneful but relentlessly weird. It helps if the lead vocals are best described as an acquired taste, especially if even that heavily compromised compliment is itself charitable. It should be, in short, something that could only be heard (and valued and respected) on college radio. For me, that record was the self-titled debut from Sicilian Vespers. The creation of David and Francis Rifugiato, brothers who were indeed born in … Continue reading One for Friday: Sicilian Vespers, “I Want to Talk to a Squirrel”