One for Friday: Peter Wolf, “Can’t Get Started”
There was a stretch during the mid-to-late-eighties when I gently transitioned myself from the sort of stuff played on album rock radio stations to the material that had a more comfortable home at the left end of the dial. It helped that I had a hometown radio station that was a weird hybrid of the two, embracing select college radio artists (R.E.M. chief among them, but also the occasional Camper Van Beethoven or Robyn Hitchcock song) even as it leaned most heavily on the rootsy classic rock likes of Bruce Springsteen, Little Feat, and the seventies output of the Kinks. … Continue reading One for Friday: Peter Wolf, “Can’t Get Started”
Greatish Performances #17
#17 — Michelle Pfeiffer as Ingrid Magnussen in White Oleander (Peter Kosminsky, 2002) This might be a good time to reiterate a central tenet of this series: highlighting a certain performance isn’t intended to anoint it as the best ever … Continue reading Greatish Performances #17
Top Fifty Films of the 50s — Number Nineteen
#19 — Seven Samurai (Akira Kurosawa, 1954) Seven Samurai is an unassuming epic. It may seem a strange description for the three hour tale of a band of misfit warriors recruited by a desperate rural town to stand up … Continue reading Top Fifty Films of the 50s — Number Nineteen
Beers I Have Known: Blatz
This series of posts is dedicated to the many, many six packs, pony kegs and pints that have sauntered into my life at one point or another. I’m quick to heap scorn upon those who ignore the time-tested adage “Life’s … Continue reading Beers I Have Known: Blatz
Cromwell, Helgeland, LeRoy, Lupino, Mankiewicz
Sleuth (Joseph L. Mankiewicz, 1972). This first film version of Anthony Shaffer’s play made it to screens a mere two years after the original work’s New York premiere. Given the cunning narrative duplicity at work in the story, it’s no wonder there was a rush to adapt it before the many secrets contained therein could ripple too far from the theatrical community. But deceptions that work onstage don’t necessarily bear up to the closer scrutiny of the camera, and that itself can intrude upon the necessary suspension of disbelief given the characters are able to investigate with even greater intimacy. … Continue reading Cromwell, Helgeland, LeRoy, Lupino, Mankiewicz
College Countdown: Rockpool’s Top 20 College Radio Albums, November 1988, 19
19. That Petrol Emotion, End of the Millennium Psychosis Blues In my memory, End of the Millennium Psychosis Blues sounds a little different. That’s because I have one particular track off the album that I faultily use to define the … Continue reading College Countdown: Rockpool’s Top 20 College Radio Albums, November 1988, 19
From the Archive: Sin City
There was talk about a Sin City sequel after from the very moment of its release. Much as I loved the original film, I never thought returning to the stylized world was a good idea. I’m somewhat surprised anyone still maintained there was any wisdom in the idea after Frank Miller delivered a colossal bomb with the de facto sequel found in his official directing debut, the film adaptation of Will Eisner’s The Spirit. This piece was included in my year-end countdown after I’d started writing film reviews again at my original online home. As the first sentence notes, I … Continue reading From the Archive: Sin City
One for Friday: The Go-Betweens, “Surfing Magazines”
I have my prejudices when it comes to music. For one thing, I’ve long resisted any reunions of bands, even those who I once loved. I still stand by my aversion in many cases, especially in those instances when the reunion is basically in name only. I’m not quite sure why anyone musters up overt excitement about what is essentially a new Frank Black solo album just because he’s worked it out to stamp the name “Pixies” on the front. There are plenty of instances where bands have gotten back together for drab efforts after solo projects and spinoff bands … Continue reading One for Friday: The Go-Betweens, “Surfing Magazines”
Programming Note
It has been this sort of week: I haven’t figured out if I’m the kid or the dragon yet. Back to regularly scheduled programming tomorrow. Continue reading Programming Note
Top 40 Smash Taps: “Second Fiddle”
These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. This is what Billboard wrote about Kay Starr’s “Second Fiddle” upon its release in May of 1956: “Miss Starr renders a poignant ballad in a warm and fetching style. The tune itself has much of the of ‘Tennessee Waltz’ and ‘Rock and Roll Waltz,’ and figures to be a highly successful follow-up to the latter.” “The Rock and Roll Waltz” (which sounds like … Continue reading Top 40 Smash Taps: “Second Fiddle”
Coffee for Two 