From the Archive: Necessary Roughness

I have very little to add to this beyond the staple amazement at some of the remarkably forgettable films we needed to sit through in the name of creating a weekly radio show. I do also find it interesting that I listed so many cast members without noting the presence of Kathy Ireland, the frequently bikini-clad supermodel whose presence in a co-starring role was used a major selling point for the film. It appears this was the final credit of director Stan Dragoti. Though he had an early surprise hit with Mr. Mom, it’s surprising that his career didn’t come … Continue reading From the Archive: Necessary Roughness

Allen, Assonitis, Korda, Stromberg, Tetzlaff

Maleficent (Robert Stromberg, 2014). This piece of fairy tale revisionism might be more affecting if it didn’t arrive on the heels of the same studio’s Frozen, which pulled off basically the same switcheroo (including the subversion of the “true love’s kiss” trope) with more spirit. Judging from what’s onscreen, not much thought went into this project after the dream casting of Angelina Jolie was secured. The certainty that her presence as one of the most iconic villains in the annals of Disney Animated Classics would be enough to make the film compelling comes tantalizing close to becoming a proven truth. … Continue reading Allen, Assonitis, Korda, Stromberg, Tetzlaff

One for Friday: Sarge, “The First Morning”

I can no longer dependably relate how I first heard about the band Sarge. I could have sworn I was told about the Illinois indie band by one of my friends after they’d seen them as an opening act at a Madison, Wisconsin concert. Over the years, though, I’ve specifically attributed it to the individuals who were the most likely candidates and over and over again I’ve been told, “No, I’ve never heard of them.” Their single “Dear Josie, Love Robyn” was briefly a small sensation among the cool kid set, although I think it was a song I longed … Continue reading One for Friday: Sarge, “The First Morning”