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You have to pay the price of admission sometime in your life, somewhere along the line

Dan Seeger

The new film Admission differs drastically enough from the source material novel of the same name that original writer Jean Hanff Korelitz was given the opportunity to address it, presumably with the consent of studio p.r. mavens given her willingness … Continue reading You have to pay the price of admission sometime in your life, somewhere along the line

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Farrelly and Farrelly, Kazan, Levy, Stoller, Wain

Dan Seeger

The Three Stooges (Bobby Farrelly and Peter Farrelly, 2012). Strangely, this attempt to update the Three Stooges for a modern audience is the most disciplined Farrelly brothers film in years. That doesn’t mean it’s good per se, but the screenplay does have a tightness and care that’s been largely missing from the siblings’ work for at least ten years or so. There’s some genuinely inspired staging to the hyper-violent comic set pieces featuring the trio of orphaned doofuses clumsily beating the hell out of each other which carries over the broader narrative. Not much of it is especially funny or … Continue reading Farrelly and Farrelly, Kazan, Levy, Stoller, Wain

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Spectrum Check

Dan Seeger

Since I was traveling this past week, the editor kindly kept my workload light at Spectrum Culture (there were other factors too, but there certainly seemed some sympathetic generosity strongly at play). So the only thing that had my name on it was our list of the “13 Best Goth Albums of All Time.” I helped select the titles on the list–which I wish wasn’t ranked, I will note–and got to write the blurbs for two of the bigger albums, including the one that resides in the top spot. Never one who was heavy into goth music, I’ll admit it … Continue reading Spectrum Check

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One for Friday: The Woodentops, “They Can Say What They Want”

Dan Seeger

Back at the college radio station, I was always appreciative when I found out the official derivation of a band’s name. This was in part because it was handy information to have when introducing or backselling a band’s songs on the air, providing something interesting to help fill up the time. It was also fairly difficult background to come by for a lot of the artists we played. Even at that late date, there was no shortage of articles tracing how the Rolling Stones selected their moniker, but it was a lot harder to find out where the hell the … Continue reading One for Friday: The Woodentops, “They Can Say What They Want”